As
a young, fearless girl, some of my favorite hobbies included climbing flimsy
pine trees and scaring my grandmother half to death, refusing to wear any kind
of coat in the brutal blizzards of Pennsylvania winters and infuriating my grandmother
half to death, and running around my yard naked (under her watch, of course) and
embarrassing my grandmother half to death.
Needless to say, I had a knack for irritating my grandmother, and she had
a knack for irritating me. We had hardly
anything in common. I could only find one single point of commonality between the two of us—we both loved to draw. Whenever I tired of torturing my poor grandma,
I dragged her to our kitchen table and made her sit still while I searched for
my battered box of broken crayons and markers and stealthily stole all of the
paper from our printer. I scattered the
paper around on the table and generously offered her my black, white, and gray crayons and markers
before starting on my own masterpiece. My
imagination never failed me, and soon I found my paper (and the tabletop
underneath it) covered in ambiguous purple, pink, and blue scribbles. Proudly, I showed my work of art to my
grandma and basked in the glory of her praise.
I bounced giddily up and down as she got up to add it to my own personal display case—the refrigerator. As she sat
down again, though, I noticed her drawing: a simple yet stunning portrait of a
little boy dragging a beat-up wagon behind him.
And, of course, she had done it all in black. As she noticed my obvious captivation with
the subtly intricate illustration, she smiled and instructed me to sit
down. I inwardly groaned, fully aware
that she planned on gracing me with one of her incredulously monotonous and
pointless stories. I did, however, feel
slightly remorseful about scaring, infuriating, and embarrassing her earlier
that day, so I reluctantly gave into my restless conscience and sat down
obediently to listen. Now, I could take
up pages upon pages writing about all of the unnecessary details and pointless
anecdotes that she added in, but, for the sake of everyone reading this, I will
summarize. Once upon a time, there lived
a poor little boy who loved to draw. Everyone loved his work—he had
a genuine talent for art. Despite this,
however, he only ever drew his pictures in black crayon. When someone asked him why he did this, he stubbornly replied that he only liked black. And that was how the story ended. Unlike most of my grandma’s stories, she
brought this one up again and again after she told it to me for the first time.
She finds it very inspiring for reasons
that I have yet to ascertain. As I
recently spent Thanksgiving with her and she told me the story for what seemed
like the hundredth time this year, I began to think more deeply about it. While it does seem utterly pointless, I found myself considering it in terms of the boy's happiness. According to my grandma, the boy felt complete and utter contentment with his life. He only, however, allowed himself to experience one realm of happiness. He had thoroughly explored the depths of the realm familiar to him--the black one--and thus remained unaware of the infinite number of other dimensions of happiness. While some may consider this a good thing--never exposing yourself to risks, staying within the boundaries of your comfort zone--if you limit yourself to these strictly defined boundaries you may never reach your full potential in terms of happiness and contentment. Only when you free your mind to openly embrace all dimensions, realms, and colors of happiness can you truly feel that you have reached true fulfillment. Perhaps my grandma really did not have any particular reason for telling this story, but I like to think that she told it with the intention of encouraging me to explore each color of happiness instead of just settling for what I feel comfortable with. And maybe, just maybe, instead of infuriating her or finding some way to embarrass her, I will take her advice.
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